Showing posts with label Brands. Show all posts
Showing posts with label Brands. Show all posts

Thursday, 27 August 2020

BRANDS CANNOT BE ALL THINGS TO ALL PEOPLE

It was once said that a brand could only be one of three things – better, different or cheaper. That said, a brand can also be ‘new’, which is helpful but, of course, only temporary.  In the service economy ‘faster’ can also be brand positioning. Lastly, if a brand fits into none of these categories it could be considered “doomed.”

 

Admittedly this seems overly simplistic. But for every contested brand category, the dominant brands clearly fits into this classification.  Take airlines for example. Emirates and Virgin are positioned as better. Spirit and West Jet are cheaper and Southwest is different. 

 

As demonstrated in the adjacent Venn diagram, brand positioning can overlap. There are indeed well crafted power brands that occupy two circles. As consumers, it takes us minimally two planes of improvement in order to choose a particular brand or business for its value proposition. Think Tesla, which many see as both better and different. Or, Old Navy, which may be seen by many as both cheaper and different.  While certainly possible, there are few examples of better and cheaper.

 

What is impossible is to occupy all three circles simultaneously. Moreover, why would a brand want to be all three?  If, for example, your brand is perceived as both better and different you can charge a premium price so it would be foolish to throw away this well-earned margin by also claiming to be cheaper.  Let us also agree that (in most cases) “cheaper” positioning is a ‘race to the bottom’ with increasing commoditization and diminishing returns. 

 

“Better” might entail a high level of expectations surrounding design as it relates to your product. It might also represent a superior service professional who is providing the direct client interface. It could mean that it’s the “full service,” highest value package to all customers and that you drop the lower-range product offerings. It could factor in a seamless user experience in your app, or perhaps even a customization level that was previously unavailable.

 

Figure out what “better” means to you, as well as to the customers you serve – because this will mean different things to different people.  Your answer just has to arrive at the fact that it’s far superior to your current version, your competitors, and to the status quo.  This, if you’d like to change any sort of consumer behavior by offering a better option.

 

In today's world the pace of innovation, change and growth have gotten so much faster, that even if you checked all three boxes (of, faster, better, and cheaper) these are no longer sufficient to guarantee success in the on-demand economy.  Especially as new D2C brands are shaking up the landscape.

 

No matter which position you choose– figure out what your brand is, internalize it, and then stick with that plan to continuously surprise and delight your clients. Ultimately, while you may not be able to dictate brand positioning to your potential customers you can still influence your audiences with a strategic brand narrative to mold their opinion over time.  Need some help crafting you perfect positioning?  We can help

 

Wednesday, 4 June 2014

Understanding 'Pain Point' Positioning


In our modern era of information overload, consumers are only able to accept and absorb messages consistent with prior knowledge or experience. 'Positioning' therefore helps break through the message clutter by offering a simplified message consistent with what the consumer already believes.  This is achieved by focusing on the perceptions of the consumer, rather than on the reality of the product.  Identifying consumer’s pain points is critical to effective positioning.

The consumer’s perceptions are largely determined by existing pain points.  Have you identified customer ‘pain-points’ for your products and services?  People spend money on two things; to fight pain and to pursue pleasure. It’s likely that the worse the pain or the problem, the more chance you have of selling a solution. The better the solution you offer, the quicker the customer will pay. Generally there is more staying power in ‘pain-solving businesses’ than there is in ‘pleasure businesses’.

So, look for pain. Look for things or situations that people find uncomfortable, annoying or frustrating. Focus on a ‘cure’ and let this help you as a guide to develop a business that will ‘make the pain go away’. You should also focus on trying to assess when it is that people feel the pain most. It’s easier to sell a solution to a current, severe pain than to solve something less intense.

Questions to ask when testing whether or not your business is addressing a real customer pain:
  • What pain does your company solve?
  • Why should people care?
  • Can you do this in a few words?
  • Can you persuade people to purchase your product using an elevator pitch?

The Importance of Identifying Customer Pain Points
To put it very simply, pain points are ‘cries for help.’  Collecting a list of pain points helps you understand what your prospects truly desire.  Referring to these same pain points in your promotion and advertising and in your one-to-one meetings with customers and prospective customers help them better relate to your offerings. It almost instantly builds rapport that leads to a higher trust factor.

Winners don’t always have the best product, the biggest name, or the deepest pocket, or even the most loyal customers. Many times the winner does the best job in understanding and meaningfully addressing customers’ pain points.
In sales and marketing circles you will hear a lot of advice about finding a prospective customer’s ‘pain point.’   A pain point is the when and the why, the reason customers choose you – the point at which they realize you offer the solution to their need – their “pain”.

The choice of the words “pain point” is clearly intentional: only something that is severe enough to be painful to your customer will cause them to act to relieve the pain.  This pain doesn’t necessarily have to be in a negative sense; the pain can easily be that of the frustration of wanting a product or service to do even more than it does right now.
If you’ve established good communications with your customers, they’ll tell you their pain points.

Define the ‘Pain-Point’
It’s important to define the pain point that drives your business. Sometimes this can be obvious.  A car supplies transportation, solving the pain of getting from A to B.  However some pain points can be less obvious. Does anybody really need an extremely expensive car that carries only two people and goes three times faster than the law allows? No, but some people want that, and businesses that supply it do very well.

Take restaurants for example, some solve the problem of getting food cheaply and fast. Others provide a service for people to go out and celebrate an occasion with all the trappings. Out of the two which would you most likely find at an airport or train station? Not all restaurants have the same mission. Does the high-end restaurant solve a problem as much as it fills a need and supplies a want?  Check out how Papa John identified and leveraged positioning based on pain point.

There are four questions you should seek to answer when identifying ‘pain-points’:
  • What is the true source of pain?
  • Who sees the most value in having that pain removed?
  • Who will ultimately pay for a solution?
  • Is there a substantive market that will benefit from your solution?

Define the pain point that drives your business. What customer problem, need, or want does your business address?  This is a core concept you’ll need to establish within your mission statement. Who is better off because your business exists, and why are they better off?

Need some help defining your Pain Point's (or your competitors?) Give us a shout. 


 






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Thursday, 7 October 2010

SOCIAL MEDIA CASE STUDIES [OCT-GB_V11.0]

Overall adoption of social technologies has effectively reached saturation. We’re now at the point where more than 80% of US online users engage with social media.  So what’s the buzz this week?


Target is now selling gift cards for Facebook credits redeemable in over 150 Facebook games and applications. - Iconoculture

PetSmart is asking Facebook fans to upload their best photos of their pets dressed in Halloween costumes for the chance to appear in a TV commercial. - MediaPost 

Cosmopolitan discusses how they're using Facebook Connect to let fans upload photographs to be a part of the magazine's new promotional video that simulates a photo shoot. - The New York Times 

Budweiser, as a part of their latest campaign, is planning to partner with Facebook to give fans turning 22 years or older a free beer on their birthday. - USA Today 

Research In Motion (RIM) is using social media to connect with their BlackBerry customers to provide awesome online customer service. - Blog World 
Lincoln's new "Best of California Road Trip" campaign is following the Lincoln MKX as it drives through California, stopping at several historic locations. Videos of the trip will be posted to YouTube, and fans are invited to vote for their favorite location on Facebook. - PR Web 

Toyota's new web series, "Standup Stories," features comedians sharing their first-car experiences and includes a Facebook tie-in inviting fans to share their stories. - Break 

American Express, in their "Action for Education" Facebook challenge, is vowing to donate up to $1 million to DonorsChoose.org when pledges towards improving local education reach 100,000. - Tonic 

Dell is combining user interests and reviews in their new Facebook application for social feedback. - Facebook 

Chevron shares how they are taking social media monitoring to the next level to build awareness of energy issues. - Vimeo 

Goodbuzz Inc. is a Digital Ad Agency that creates social media campaigns that entice consumers to play, create, and share brand experiences. Note: Any / all product names mentioned in this document may be trademarks or registered trademarks of their respective companies and are hereby acknowledged.

Wednesday, 29 September 2010

Social Media Case Studies [OCT-GB_V10.0]

CBS's 60 Minutes is encouraging viewers to submit 60-second video questions on the new 60 Minutes YouTube channel, which the program will later answer on the television broadcast. - Social Times 

New York Life Insurance Company is teaming up with Hasbro for a sweepstakes on Twitter where lucky followers of the company have the chance to win a special edition of "The Game of Life." - Facebook 

TwitterMoms discusses how Procter & Gamble has turned to Twitter to give consumers legitimate consumer ratings on their in-store products. - Brand Week 

Disney has created a new fan-generated website in which fans are invited to upload pictures and share their favorite memories from their Disney experiences. - Disney 

Nokia's world's smallest stop-motion video, filmed with a Nokia N8 phone and a CellScope microscope, is going viral with over 879,719 YouTube views and counting. - Nokia Blog 

OnStar is redefining in-car communications with its new feature that allows subscribers to verbally update their Facebook status and listen to recent news feed posts. - Advertising Age 

Whirlpool shares how they’re collaborating across departments and functions to provide a consistent brand experience. - Vimeo 

NBC promoted the premier of Community's second season with a "Twittersode" that consisted entirely of tweets from handles created for each character. - Fast Company 

GetGlue discusses how their partnership with MSNBC, AMC, Disney, HGTV, and Discovery is engaging fans and enabling users to "check in" to the entertainment that they are viewing. - ClickZ 

Domino's is turning to YouTube to help promote their new lunchtime menu with videos of the new menu items. - Pizza News 
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Goodbuzz Inc. is a Digital Ad Agency that creates social media campaigns that entice consumers to play, create, and share brand experiences. Note: Any / all product names mentioned in this document may be trademarks or registered trademarks of their respective companies and are hereby acknowledged.


Friday, 24 September 2010

New Zealand Army's 'Get What It Takes' Campaign a YouTube hit

Recruiting soldiers these days must be a daunting task to say the least.  Let alone becoming New Zealand's most viewed branded or sponsor channel on YouTube.

Saatchi & Saatchi Wellington's did just that with their "Get What It Takes" campaign for the NZ Army.  TV trailers drive viewers to a branded YouTube Channel where they can view mini-documentaries and play a unique 'Get What It Takes' sniper rifle game.
The targets technographic profile (Forrester,) identifies them as both “Spectators” and “Joiners” – so any engagement would need to entertain, be fun and viral - without much user generated content (i.e. social platforms that are easy to access, view, and share).  Any campaign aimed at this target would need a strong digital focus, reflecting the key change in the way young people connect with brands and discover information today.

So a YouTube campaign telling the story of three young, everyday New Zealanders taking on stimulating and difficult challenges over the course of two weeks was perfect.  Online viewers follow the recruits as they learn how the NZ Army equips them with the skills needed to meet the tasks in hand.  Challenges include clearing a minefield to assault an enemy bunker, administering medical treatment to a fallen soldier whilst under enemy fire and sending vital intelligence information via the set-up of a temporary signals unit. All challenges relate to real life Army trades: Medic, Engineer and Communications Systems roles.

The game encourages virality and participation, as users can challenge friends on Facebook.  This aspect of this campaign invites users to experience "Get What It Takes" for themselves, simulating a real life rifle range, complete with wind shear, sound effects and a breathing monitor. The game-based YouTube Channel awards achievement badges based on firing accuracy and users can share their marksman score through Facebook, email or by downloading it and pinning it on their wall.  It also gives users another reason to share the content.

A simple idea well integrated and executed along the appropriate participatory channels.  Bravo. 
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From simple metrics to actionable insights that enable data-driven marketing decisions - Goodbuzz links social media efforts to business outcomes. Visit Goodbuzz or join us on FacebookAny / all product names mentioned in this document may be trademarks or registered trademarks of their respective companies and are hereby acknowledged.

Wednesday, 22 September 2010

Social Media Case Studies [SEPT-GB_V9.0]

Timberland explains how they're incorporating a 3-D view of their boot in the company's newly launched social media campaign. - Brand Week 

Campbell Soup discusses their new campaign that seeks to engage young customers through a contest embedded in social media. - DMNews 

JCPenney, in a recent back-to-school promotion, provided six girls with gift cards to review their purchases from the department store in a series of "haul" videos on YouTube. - Brand Autopsy 

Buick dealerships in Austin are engaging their Twitter followers by offering a test drive that lets the drivers pick the time and the place for pick up. - Twitter 
  
Sara Lee is introducing a contest on Facebook asking moms to submit a short essay and a photo of their children answering the question, "What's Your Lunchtime Challenge?" - Media Post 

NPR is embracing social media as a way to engage with their followers by creating a dashboard to keep it all in one place. - NPR 

The role of Chief Listening Officer is becoming more common amongst big companies engaged in social media with Kodak and Dell being the first to adopt the position. - Advertising Age 

How the American Red Cross, the American Cancer Society, Old Navy, Starbucks, Target and many others came together in a social media campaign to raise awareness for charities. - ClickZ 

McDonald's shares how they are using social media to inspire employees and the public about their commitment to their people. - Vimeo 


McDonald's: Finding the "Voice of McDonald's", presented by Joe Curry from GasPedal on Vimeo.

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Goodbuzz Inc. is a Digital Ad Agency that creates social media campaigns that entice consumers to play, create, and share brand experiences. Note: Any / all product names mentioned in this document may be trademarks or registered trademarks of their respective companies and are hereby acknowledged.

Tuesday, 21 September 2010

Talking Tree Campaign Creates Discussion Around Climate Change

Did you ever wonder what a tree would say if it could talk?  What about one that is over one hundred years old and lived in Brussels and you could follow it on social media channels? 


Agency Happiness Brussels taps nature's voice for their "Talking Tree" campaign, part of a campaign for popular science magazine EOS, to create a discussion around climate change.  


The campaign uses meteorological recording devices like a CO2 meter, pH meter, a wind turbine, thermometer, a fine dust meter, ozone meter, light meter, weatherstation, webcam and microphone to monitor a tree in Brussels' Bois de la Cambre park.  


This equipment constantly measures the tree's living circumstances and translates this information into human language. Then, the tree lets the world know how he feels via wifi at regular intervals into social media-ready communications (updating Facebook, Flickr, Twitter, Soundcloud and YouTube). Check out the website http://www.talking-tree.com/ or watch an overview below.  Tell us what you think?



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Goodbuzz Inc. is a Toronto-based Digital Agency that creates social media campaigns that entice consumers to play, create, and share brand experiences. This is accomplished by focusing on developing "branded utility" - moving away from interruptive 'push' models towards more meaningful ways of connecting. From simple metrics to actionable insights that enable data-driven marketing decisions - Goodbuzz links social media efforts to business outcomes. Visit Goodbuzz or join us on FacebookAny / all product names mentioned in this document may be trademarks or registered trademarks of their respective companies and are hereby acknowledged.









Monday, 20 September 2010

Lady Gaga - The Ultimate Social Brand

LADY GAGA has rocketed to global fame in less than two years as the first artist to have her first five six singles reach number one. She's also won two Grammys, sold 8 million albums and 15 million singles digitally worldwide.  Her video's have even garnered 1 Billion Views on YouTube.  While her performance art-style stage shows and bizarre outfits have garnered significant attention, it's her loyalty marketing that may sustain her for years.


So how does Lady Gaga foster and cultivate legions of evangelistic fans online? Whether by exclusively releasing content (i.e. “Bad Romance”) on her website LadyGaga.com or exposing fans to her daily life via Twitter (she has 3 million+ followers) and Facebook (nearly 6 million) - Gaga lets fans come along for the ride.   On Twitter for example, she updates regularly telling fans everything she is doing.  She tweeted them before she opened the Grammy Awards and even tweeted to fans that she was buying them pizza for waiting overnight at an album signing.


To further build engagement, ownership and content, fans are further encouraged to record videos and take photos during her performances with an open invitation to network, comment and share with the world.  To validate fans, Gaga also doesn't allow professional photographers into her concerts (however encourages fans to take photos and videos).


A SENSE OF BELONGING - Lady Gaga gave her fans a name - as she doesn't like the word "fan". So, she calls them her "Little Monsters," named after her album "The Fame Monster." She even tattooed "Little Monsters" on her arm and tweeted the picture to fans professing love for them. Now fans are even getting their own Little Monster tattoos. By giving the group a formal name, it gives fans a way to refer to each other. Fans feel like they are joining a special club. Psychologically, this ‘sense of community’ is one of the major tenants of self-definition. Belonging to a group can involve language, dress, and/or ritual. To be part of the group gives meaning and association with a larger group provides emotional safety and a sense of belonging and identification. The influence is bi-directional.


STORYTELLING, RITUALS AND MYTH-MAKING - During her concert tour, Gaga recites a "Manifesto of Little Monsters". Although a bit cryptic, most Little Monsters see it as a dedication to them, that her fans have the power to make or break her. Whether New Testament, Torah, or Koran - EVERY major religion is built upon a heft of history and stories (mostly gruesome and miraculous.) Ritualistic patterns make us feel consistent, stable, safe, and grounded. It’s clear that people ritualize positive experiences and keep coming back for more.


SHARED SYMBOLS - The official Little Monster greeting is the outstretched "monster claw" hand. As all Little Monsters know, the clawed hand is part of the choreography in the video of her song "Bad Romance." Even Oprah knows the Little Monster greeting. Shared symbols allow fans to identify each other and connect. The cross. A dove. An angel, or crown of thorns. Organized religion is full of iconography and symbolism that act as an instant global language, or shorthand. This is also true of products and brands. A brand or product (symbol) logo can evoke powerful associations, just like religious icons. Think: Lance Armstrong (Nike) “Live Strong” bracelets.


FAN AS THE HERO - Lady Gaga makes her customers feel special. A staple of Gaga's "Monster Ball" tour is to call a fan in the audience during the show. Gaga dials the number onstage, the fan screams out, is located and they are put up on a big screen. While the rest of audience goes bananas, the fan is invited to have a drink with her after the show. In doing this, Gaga doesn't simply add value to her ticket price but also creates experiences that stand out by virtue of being so "extra."


It gets better.  Lady Gaga dedicates her shows to her frenzied fans (and each of her awards to her gay fan base), claiming only to be the "jester" to their kings and queens. By letting her fans know that she knows (that everyone knows) that they have the "power to make or break her," Gaga has made her success shareable. It gives fans the chance to not only showcase and articulate their faith, but also to unite with fellow believers.  Magic.


SENSORY APPEAL - No one really does branded spectacle like Lady Gaga. She’s Liberace, Marilyn Manson, Madonna, David Bowie and Ozzy simultaneously.  The music is entirely secondary to the spectacle.  Lady Gaga defies expectation and just when you think you’ve got her pegged - she dawns an evening dress made entirely of fresh meat.


Her brand appeal is much more about the fact she’s always changing and unpredictable - challenging people's tendency (and ability) to shut out their environment, she disrupts with new modes of aestheticism.  She's everything we ever learned, every case study, lesson and truth all bundled up into one brand.   Just like all great religions, (whether church, temple, or mosque), Lady Gaga's unique sensory appeal is an integral part of the otherworldly brand experience.  Web Site http://www.ladygaga.com

Twitter ladygaga


If there’s a more perfect hybrid of branding, PR, advertising, and marketing today - we haven't seen it. Have you?  If so please, do tell.  www.goodbuzz.ca


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Goodbuzz Inc. is a Toronto-based Digital Agency that creates social media campaigns that entice consumers to play, create, and share brand experiences. This is accomplished by focusing on developing "branded utility" - moving away from interruptive 'push' models towards more meaningful ways of connecting. From simple metrics to actionable insights that enable data-driven marketing decisions - Goodbuzz links social media efforts to business outcomes. Visit Goodbuzz or join us on FacebookAny / all product names mentioned in this document may be trademarks or registered trademarks of their respective companies and are hereby acknowledged.