Showing posts with label creativity. Show all posts
Showing posts with label creativity. Show all posts

Monday, 18 November 2019

SIGNAL IN THE NOISE: ADVERTISING IN THE AGE OF DATA

Advertising is the quintessential example of an industry known for creatively embracing what’s new and next. From emerging technologies, channels, and formats to bold, go-to-market media strategies that are guided by evolving customer expectations for personalised, seamless, and omnichannel experiences, the most successful brands, agencies, and vendors just keep moving forward. 

This topic has been discussed for a number of years now from “Talking to Ourselves”, “Lee Chow Will Only Say This Once”, CP+B’s “Woodshed”, and “the Disruptor Series” and many others. What is absolutely clear is that the agency model has shifted. We all know it’s shifted. We can feel it. Our relationship with the client has shifted. Our value proposition (and perceived value) has shifted. The culprit? For the sake of brevity – is “Data”.

The introduction of “data” into our business has shifted the perception that what, once upon a time was considered alchemy, is now quantifiable. The pendulum that swings between art and science in advertising has decidedly taken a step towards science. Why? Well, for one, it’s the natural course of human progress. 

We humans have a history of decoupling and commoditizing our once lofty constructs. You may remember years ago the arduous task (and associated costs) of building a website? Today, we have Squarespace for $16 per month. 

Moreover, with the dollars attached to advertising at large, you can bet that any number of intelligent people will attempt to commoditize any number of its functions. To this end, the advent of this “Age of Data” has put all advertising practices under scrutiny.

But the backlash today being witnessed (against the traditional ad agencies of the world) is palpable. The problem appears to be that this “Age of Data” promised far more than it has delivered.

It is the natural and inevitable course of human evolution. However, being able to quantify and benchmark every consumer transaction along the customer journey is not tantamount to success. We now, arguably, have access to every metric under the sun but the data is largely meaningless. We are still pressed daily to find the signal in the noise.

This harsh reality has manifested in plateaued CX performance, digital transformations that did not deliver the expected returns, and early efforts to capitalize on new technologies and models that took a technical, rather than operational, viability path.

The larger risk may be market-based. While taking a step back to build foundation, those firms may have missed a closing window of good economic times and deferred more aggressive strategies to an economic climate that is at best mixed and, at worst, recessionary.

At the same time AI and robotics move deeper into the organization, closer to the customer, and, more profoundly, into the very makeup and operations of the company. This presents the best mechanism to drive growth - a strategically planned ecosystem that delivers value to customers throughout their life cycle. To establish a successful ecosystem, CMO's will need to thread the needle between employee experience, customer experience, brand purpose, creative, and technology, imbuing all these crucial areas with customer obsession.

Smart CMOs will undoubtedly begin pulling back on strategies that drive short-term gains at the expense of customer affinity, including dark patterns —design patterns that manipulate customers against their own interests. Meanwhile, spend will flow back into creative as the importance of differentiated branding becomes apparent in a world of digital sameness.

At the same time, technology-driven innovation — the ability to deliver new business results through opportunities discovered by continuously experimenting with technology, both emerging and established — will soon be table stakes for leading organizations.

Today, deep learning is sorting pictures posted on Snapchat, natural language processing is providing the backbone for customer service chatbots, and machine learning is helping companies accelerate product development by handling tasks from forecasting the effect of cancer drugs to helping to edit Hollywood movies.

Just imagine an advert that dynamically changes the tone of the voiceover based on the unique preferences of the viewer. The convergence of AI with human creativity and insight will transform advertising, and we’re just beginning to see what’s possible.

Artificial Intelligence allows machines to be able to carry out tasks in a way that we would consider “smart”. And, Machine Learning is based around the idea that we should just be able to give machines access to data and let them learn for themselves. Employing both, however, despite their infinite promise, has also not yet delivered real, tangible value (at least at scale or en masse.)

Yet, we are still pressed daily to find the signal in the noise. Moreover, we are still dealing with error-laden legacy data in disparate silos and clients are ill-equipped and the speed of technological change (which means we are always catching up.)

As a result, somewhere between ‘what is infinitely possible’ and ‘what is possible today’ lies the ad agency paradox today. Selling the promise of data-driven creative and personalisation at scale to clients whose platform simply will not get them there.

This paradigm shift also extends its own vernacular – now also far more focused on return on investment and short-term results. And herein lies the problem du jour. But, in the short term, humans are still the ultimate software. 

It is as if, metaphorically, someone had just invented the paintbrush. Despite, potentially, never using one, you can still see the infinite possibilities in its premise. But you can see (in this example) that the paint brush’s promise far exceeds its current application. Ultimately, this is simply the ebb and flow of all human endeavour. 

The agency of the future will undoubtedly be consumer centric, automated, transparent, collaborative, intelligent, nimble, experiential, and focused on a sprint versus a marathon approach. They can champion creative but will undoubtedly have deep expertise in strategy, consumer insights, and measurement.

Moreover, this heightened focus on the measurement will allow agencies to not just understand campaign performance, but to also understand how a brand is moving people through a journey and how advertising is fostering that movement.

With a heightened level of insight about what people think, feel, and do (after they interact with a brand’s advertising) we are simultaneously entering an advertising landscape with more immersive experiences that engage consumers on a deeper emotional level. 

One thing we do know? The importance of data and how it’s used to make changes that put consumers first cannot be understated. Agencies that pay attention to this now are sure to set themselves up for success in the years to come.

Tuesday, 27 October 2015

Building An Extraordinary Brand


Many clients think their logo is their brand. But a brand is much more than a graphic image. A brand is a set of associations that a person (or group of people) makes with a company, product, service, individual or organization.  It’s the way people feel when they interact with your marketing. It’s the promise your company makes to your prospects and to your customers. It’s your brand’s personality.

Branding is a way of clearly highlighting what makes your offer different to, and more desirable than, anyone else’s. Effective branding elevates a product or organization from being just one commodity amongst many identical commodities, to become something with a unique character and promise. It can create an emotional resonance in the minds of consumers who choose products and services using both emotional and pragmatic judgments.

So, ask yourself - what comes to mind when you think about your brand? What do you want to come to mind?  Whatever you want your business to represent, you need to consistently instill that idea in everything that is your business.

You achieve consistency by doing the same thing in the same way so it produces exactly the same result each and every time you do it. For your customers to be able to expect consistency, you must be able to clearly identify the elements that make up consistency in your business.  We all welcome (and crave) the familiar and we shun the unknown (and tend not to trust it.)  So, do your customers a favour and give them something to count on. 

Brand loyalty creates brand ambassadors and brand ambassadors help drive growth. So put your best foot forward and never leave first impressions to chance.  So, you want to build a brand that stands the test of time?  Take a page from organized religion as notable brands and religions have a lot more in common then you’d think.  Both share:

A Sense of Belonging
Psychologically, ‘sense of community’ is one of the major tenants of self-definition. Belonging to a group can involve language, dress, and/or ritual.  To be part of the group gives meaning and association with a larger group provides emotional safety and a sense of belonging and identification.   The influence is bi-directional.  Think: Nike, Apple, or Harley-Davidson Ownership; the individual shares mission with the larger group.

A Clear Vision
Both Religions and Brands are unambiguous in mission and intent (to reach heaven, achieve spiritual enlightenment.)  Like religions, successful companies and successful brands have a clear, and very powerful sense of mission.   Think: Apple’s Steve Job’s statement in the mid-1980’s, “Man is the creator of change in this world.”  

Power Over Enemies
Successful religions strive to exert power over their enemies (and have so since the beginning of time.)  Taking sides against the “other” is a potent uniting force psychologically.  Even more so if there is an identifiable enemy, as it gives us the chance to not only showcase and articulate our faith, but also to unite ourselves with our fellow believers.  A community united by a common enemy.  Think: Coke vs. Pepsi, Apple vs. PC, Us vs. Them.

Sensory Appeal
All great religions, (whether church, temple, or mosque) have unique sensory appeal.  The air, the incense, the smell of the wood, the ornate stained glass, and the sound of the organ or bell.  All integral parts of the otherworldly experience.  Whether annoyance or longing, sensory qualities evoke an emotional response.  Think: “Hello Moto” or Intel’s Sound Branding.  Maybe the smell of a new Mercedes, or the sleek, aesthetically pleasing lines of the iPod. 

Storytelling
Whether New Testament, Torah, or Koran---EVERY major religion is built upon a heft of history and stories (mostly gruesome and miraculous.) Most notably, the rituals (i.e. praying, kneeling, meditation, fasting, singing hymns, receiving the sacrament, etc.) are rooted in these stories (and therefore are repeatedly and unconsciously reinforced.)

Grandeur
Most religions celebrate a sense of grandeur and awe.  This ensures that one comes away from the experience as mere mortals dwarfed by something far greater than ourselves. Even today, no building in Rome is permitted to be higher than St. Peter’s Cathedral. At the Temple of the Golden Buddha in Bangkok is a nearly eleven foot tall, two-and-a-half ton Buddha made from solid gold (and valued at close to $200 million.)  Think: The Bellagio Hotel, Louis Vuitton’s flagship store in Paris, Apple’s store in NYC, Google’s offices.  All created their own Vatican and stir up notions of grandeur.

Symbols
The cross.  A dove.  An angel, or crown of thorns.  Organized religion is full of iconography and symbolism that act as an instant global language, or shorthand.  This is also true of products and brands.  A brand or product  (symbol) logo can evoke powerful associations, just like religious icons.  Think:  Lance Armstrong (Nike) “Live Strong” bracelets.  Originally given away for free, once they became a symbol of challenging adversity and charitable giving---Armstrong’s Foundation ended up selling some $70 million worth (and inspired a slew of copycats.)

Mystery
In religion, (where the unknown can be as powerful as the known,) mystery is a powerful force.   Think of the mysteries of the Bible, the Shroud of Turin, the Ark of the Covenant, the Holy Grail, or the da Vinci code.  When it comes to brands, mystery is equally effective.  Think: Coca-Cola’s or KFC’s secret formula.

A mischievous Unilever employee in Asia added the sentence “Contains X9 Factor” to a shampoo bottle label.  This last minute addition went undetected by Unilever, and soon millions of bottles were shipped out. As it would be too costly to recall, Unilever let it be.   Six months later, Unilever reprinted the label without the reference to containing “X9 Factor.”  To their surprise sales dropped dramatically and they received a slew of outraged mail from customers.  None even knew what “X9 Factor” was, but were offended that Unilever would dare consider getting rid of it.  In fact, many customers claimed the shampoo wasn’t working anymore, and that there hair had lost its luster.  It just goes to show that the more mystery and intrigue a brand can cultivate, the more likely it will appeal to us.


Rituals
When life feels uncertain and out-of-control, we often seek out the comfort of that which is familiar. Ritualistic patterns make us feel consistent, stable, safe, and grounded. Whether most of us are aware of it or not, we don’t want to tamper with the region of our brain that makes up our “implicit” memory (which encompasses everything you know how to do without thinking about it---from riding a bike to tying your shoelaces.)   Product rituals give us the illusion of comfort and belonging, while also helping us differentiate one brand from another.  Once we find a product or brand experience we like, it’s human nature to make it a ritual.  

Savvy marketers find and exploit the rituals associated with their brands. Products and brands that have rituals associated with them are much ‘stickier’ than those that don’t.  Think: The many ways to eat an Oreo cookie, Lime in the Corona, or the Starbuck’s ordering process.  It’s clear that people ritualize positive experiences and keep coming back for more.  

“The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. We are governed, our minds are molded, our tastes formed, our ideas suggested, largely by men we have never heard of." ~ Edward Berneys

Rachel’s Organic Butter, for example, chose black for its packaging design so it would stand out from the typical yellow, gold and green colours (representing sunshine and fields) used by competitor products. The result is that the brand appears more premium, distinctive and perhaps even more daring than its competitors.

Defining your brand
Here are a few key aspects you should consider as you’re building your brand:
·      The big idea – what lies at the heart of your company?
·      Values – what do you believe in?
·      Vision – where are you going?
·      Personality – how do you want to come across?

If you can start to answer these questions with clarity and consistency then you have the basis for developing a strong brand.  Let’s take each of these in turn.

The big idea
The big idea is perhaps a catchall for your company or service. It should encapsulate what makes you different, what you offer, why you’re doing it and how you’re going to present it. The other ingredients are slightly more specific, but they should all feed from the big idea.

The big idea is also a uniting concept that can hold together an otherwise disparate set of activities. Ideally, it will inform everything you do, big or small, including customer service, advertising, a website order form, staff uniforms, corporate identity, perhaps right down to your answer machine message.

To pin down your own big idea you will need to look very carefully at your own business and the marketplace around you, asking these types of questions:
·      How can you stand out?
·      What is your offer?
·      What makes you different?
·      What is your ‘personality’?
·      What do consumers want or need?
·      Is there a gap in the market?

Once decided, the articulation of these ideas can be put into action through branding techniques such as design, advertising, events, partnerships, staff training and so on. It is these activities that set up the consumer’s understanding and expectation of your company; in other words, its brand. And once you’ve set up this brand ‘promise’, the most important thing is to ensure that your products and services consistently deliver on it.

Vision
Generating a vision for your company means thinking about the future, where you want to be, looking at ways to challenge the market or transform a sector. A vision may be grand and large-scale, or may be as simple as offering an existing product in a completely new way, or even changing the emphasis of your business from one core area to another.

Although corporate visions and mission statements can often appear to be little more than a hollow dictums from top management, a well-considered vision can help you to structure some of the more practical issues of putting a development strategy into action. If you’re clear on what you’re aiming at, it’s obviously easier to put the structures in place to get there.

Values
Like the word brand itself, the term brand values is perhaps a little over-used in design and marketing circles, but it does relate to important aspects of how people see your organization. It’s what you stand for and it can be communicated either explicitly or implicitly in what you do. But imbuing your company’s brand with a set of values is tricky for a number of reasons.

Firstly, everybody wants the same kinds of values to be associated with their business. A survey by The Research Business International found that most companies share the same ten values, namely: quality, openness, innovation, individual responsibility, fairness, respect for the individual, empowerment, passion, flexibility, teamwork and pride.

Secondly, it’s not easy to communicate values: overt marketing may seem disingenuous, while not communicating your values in any way may result in people not seeing what you stand for. And lastly, any values you portray have to be genuine and upheld in the way your organization operates. 

Personality
Once you have established your ‘big idea’, vision and values, they can be communicated to consumers through a range of channels. The way you decide to present this communication – the tone, language and design, for example – can be said to be the personality of your company.

Personality traits could be efficient and businesslike, friendly and chatty, or perhaps humorous and irreverent, although they would obviously have to be appropriate to the type of product or service you are selling.  And for smaller companies, the culture and style of the business can often reflect the founder(s), so its values and personality may be the same.

Here are a few examples of how you can start to control the elements of your company’s personality, conveying certain aspects to customers in different ways:
·      Graphic design: The visual identity – hard corporate identity or soft, friendly caricature?
·      Tone of voice: Is the language you use (both spoken and written) formal or relaxed?
·      Dialogue: Can your users or customers contribute ideas and get involved in the organization? Or is it a one-way communication?
·      Customer service: How are staff trained to communicate with customers? What level of customer service do you provide?

Using these key ingredients will give you a solid understanding of your organization’s brand, as well as strategies on how to present it to people.  Starting with the big idea, you can then go on to refine and set out your company’s vision, values and personality. And once these are all in place, you can think about hiring designers to turn your brand blueprint into tangible communications.

Starting From Scratch
If you’re launching a new business, you’re in a unique position to operate as what is often called a ‘challenger brand’. This means that you can take a look at a market sector from the outside, assess all the players, opportunities or gaps in the market and then launch your product with a brand that challenges and shakes up the conventions of the sector.

It’s hard to do this once you’re established as there’s more to lose, so think carefully about how brave and ‘rule’-breaking’ your product or service can be if you’re about to launch to market. At this stage you’re small and therefore responsive and adaptable, with no existing processes that have to be changed to create a new brand. In short: you’ve got one shot to do something exciting, relatively cheaply, so go for it.

THE BIG PICTURE
Our chief task is to break the ice, disrupt, and engage (ideally under the radar) by exploiting certain "triggers" to boost relationships with prospective customers.  Any successful method of persuasion uses triggers to elicit a certain response.  These triggers include power, trust, mystique, prestige, vice, alarm and lust.   Ultimately, we are part of a fascination economy where the consumer is constantly asking “why do I give a shit?”  We therefore need to draw irresistibly the attention and interest of (someone). Our task is to really to add value by informing, educating, and/or entertaining.

Curiosity and fascination are ultimately both instinctive drives that catalyze countless behaviours, including purchasing decisions.  Our task is to bring meaning to all types of otherwise meaningless scenarios by combining such triggers as lust, power, mystique, and trust in different proportions to reel in consumers and reinforce messaging.

  • Instead of marketing and advertising being focused on "the individual", we must relate to people in interconnected groups.  
  • Instead of attempting to persuade people to believe an ad message, we must try to tap into what it is that people already believe and care about.
  • Instead of being focused on selling, the way to connect must be dedicated to driving “sharing.”  The brand is secondary.  
  • Instead of controlling the message, we must learn to relinquish control and let the movement do what it will with the message.  
  • Perhaps most radical of all - brands must learn to stop talking about themselves.
  • Instead of making our brand relevant to an existing, trending topic - our focus here is on understanding the needs of the people who will benefit from what our brand does and sparking a movement that meets those needs.
  • Ultimately it’s about creating a marketing model that is in harmony with what your consumers have been saying (and thinking) for years. “You want to sell to me, get to know me! Be part of my tribe! Care about the same things I care about, and I'll buy from you. But you have to come along side me first.”

Modern brands have real power if channeled into positive causes that benefit society and the brands themselves. Consumers now expect brands to make positive contributions to society. If they don't the consumers will vote with their feet, and wallets.  So break from the immediate past and assume thought leadership of the category.  Become idea-centric rather than consumer-centric. Create symbols of consumer re-evaluation.  
The status quo is dead so break with the past: assume nothing, take no one and nothing for granted, and constantly ask "What if?" and "Why not?"  Strive to create ideas that are engaging, provocative, self-propagating, and that create competitive advantages.  So strive for simplicity, common sense, and creativity - any approach that gains access to consumers' hearts and minds, develops ongoing relationships with them, and, most important, embraces them as partners in the process of developing and advertising.

Cut through the bullshit and show you brand is ultimately as human as they are.  This requires finding and leveraging a unique consumer insight the consumer already has about your product or service.  The most effective advertising involves consumers in two critical areas; one, consumers must  take part in the development of communication and two, consumers must be involved in the communication itself.  Simply put, creating dialogue with consumers will allow advertisers to know exactly what consumers actually want in a brand and product, and consumers should not be told what to think, but they should be given persuasive facts and allowed to make up their own minds.

Let us know if you need any assistance. We love this stuff.
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#Goodbuzz is a digital agency based in Toronto, Canada. We help brands create and capture value from emerging trends in technology, society and the workplace. We prototype the future - and believe the best way to predict it - is to create it.  Follow us on Facebook or Twitter or if you have any questions contact Goodbuzz directly.




Wednesday, 14 October 2015

The Truth About Your Brand's Truth

We all have experiences like this, but I distinctly remember being annoyed by the tagline a bank of mine once used, "Leading The Way.”  The suggestion, or at least my perception of the claim, was the bank wanted me to believe it was somehow leading me. I resented the claim and what I believed was the bank's arrogance and overblown sense of its role in my life.  I have an equal aversion to Christian Mingle’s “Find God's Match for You” tag line – but lets save that for another post.

We must remind ourselves that in the old (pre-social) marketing world there were a lot of bullshit promises that brands made. I was definitely a part of this at some point, so am equally guilty. But ultimately we did this in the old days because consumers did not have any choice. We paid to push messages in people’s faces.

Sure, the best marketers avoided ego-stroking brand claims in favour of target-centric, emotionally compelling messages, but the vast majority of ad messages in the old world trended heavily toward what could only be considered ‘arrogant’ claims. It was much easier back then because it took very little effort to say whatever we wanted to say.

What is clear however is that it takes a lot more work to understand what your target constituent truly is interested in, and what authentic role in a consumer conversation your brand can truly play today.  It's also kind of amazing to see how slowly we're all shifting our approach to the radically shifting consumer behaviour.  This despite the numerous examples and the new media reality we navigate today.

Consumers today must invite your message in. Yet most advertisers still continue to hammer on the proverbial front door to pitch their wares. Undoubtedly, a brand marketer has a much tougher job in today's invitation-only world – as a premium is now placed on true creativity, honesty, and authenticity.  


But the bottom line is that there is a real need to be true and authentic today. Yet many brands still think that they are either able to control their brand message or (at the very least) manage it through social media channels like Facebook, Twitter and beyond.

Soda companies, for example, will spend millions trying to convince you that they care about youth obesity by sharing healthy factoids about humanity, while fried food companies will try to calm your nerves with recipe suggestions. It's not manipulation so much as it is their newfound ability to be a publisher and put out into their world thinly veiled content as an engine of positive brand perception.

In some instances, it works, connects and populates. In most instances though, it’s a complete waste of time because it was never authentic in the first place. Brands have to accept that they not only don't control their brands (not a new concept), but that even attempting to find the truth (for those who would be inclined to search, dig and better understand the discourse) may as well be all but lost in a world where the manipulation of content is as simple as touching a screen. 


Can brands protect themselves? They can. It will however be costly, time consuming and - ultimately - not worth the hassle and headache. As such, we are entering (kicking and screaming) the age of truth in branding.  A place where a brand is not a unique set of shared emotions through general consensus, but rather an ambiguous mix of content and emotions that are not as clear or easy to define as it once was.

The point is that your brand today should only seek to extend truth, authenticity, and credibility. Emotive brand strategies are built out of what is already true about your brand.  We are not talking about a list of features and benefits either. Your brand truth actually is what focuses consumers on the human, social, and environmental outcomes of those features and benefits, as well as the way in which your brand does its business.

Identifying your brand’s truth is truly an exploration of what lies behind what is already evident and understood about your brand. It is your way of identifying the meaning that lies now hidden in what your business does and how it does it. This analysis flows from the truth, yet illuminates that truth in a way that is more personally relevant and emotionally important to people.

Over time, these meaningful truths become more and more evident in what you do, and they will naturally become more appreciated and admired by your constituents.  As Churchill espoused, "The truth is incontrovertible. Malice may attack it, ignorance may deride it, but in the end, there it is." 

Bottom line - the more genuine and authentic your brand truth – the closer to the hearts and minds of your customers you’ll be.  Your brands truth is your promise and it needs to ring true, be based on more than facts, and be deliberately aspirational in nature.  So, make certain your brand promise is authentic to what you really and truly do, and ensure credibility through an unwavering devotion to this truth. Godspeed.

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Goodbuzz is a digital agency based in Toronto, Canada. We help brands create and capture value from emerging trends in technology, society and the workplace. We prototype the future - and believe the best way to predict it - is to create it.  Follow us on Facebook or Twitter or if you have any questions contact Goodbuzz directly.




Sunday, 12 June 2011

The Evolution of Transmedia Storytelling

What’s transmedia storytelling?  In transmedia storytelling, content becomes invasive and fully permeates the audience's lifestyle.  A transmedia project develops storytelling across multiple forms of media in order to have different "entry points" in the story; entry-points with a unique and independent lifespan but with a definite role in the big narrative scheme. Each distinct element makes distinctive contributions to a fan's understanding of the story world; "entry-points" through which consumers can become immersed in a story world. 


The three video’s below are from a recent discussion between Frank Rose, author of "The Art of Immersion" (and a contributing Editor at Wired) and Jeff Gomez, President and CEO of Starlight Runner Entertainment at Ad Age's "Creativity and Technology" (CaT) Conference in NYC June 9th, 2011.








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Monday, 16 May 2011

The Connected Brand and Real-time Marketing

The distinct roles played by brands, media and audiences in the marketing relationships of the past are no longer. Today those roles overlap, creating new opportunities and expectations.  This traditional messaging model still plays a vital role for marketers - as placing brand advertising with media content consumed by audiences is an effective method to reach customers. But alone, the tactic is insufficient.

While traditional media (and media companies) served as the meeting place for brands and audiences in the past, today media companies are no longer the sole connective tissue for brands to communicate with their customers. Today, all three are equal participants in an ecosystem where each party is both a content creator and distributor. This fundamental shift, while disruptive to the status quo, creates both opportunities and liabilities marketers cannot ignore.

Reality
  • People are now their own publishers of opinions, experiences and preferences. They share those sentiments with each other in social spaces. By working together, audiences have commandeered many of the functions of marketers, driving product awareness and influencing purchase decisions. They are telling both brands and each other just what they think – and they are doing it publicly, for others to find and see.
  • Media properties are also learning to evolve as technology continues to give rise to the voice of the customer. Magazine articles and news stories no longer end when the writer or journalist finishes the piece. Media companies are now playing host to serious conversations, with readers functioning as active contributors to the story. Media innovators are learning to harness that user-generated content, responding to it, building on it, and using it to inform further editorial direction. They are listening to their audiences, and actively engaging with them. They are evolving into real-time curators of unique audiences, each with their own robust communities.
  • Brands are expected to share back. As audiences increasingly talk directly to brands, brands are realizing that audiences are demanding more of them than simply shouting about their products and services. Audiences want to hear what brands have to say. Every day, millions of them are actively reaching out to connect with brands through digital channels.
  • Content moves through networks at breakneck speeds that marketers struggle to match. To complicate matters, one form of content can create another form of content, and another, and another — moving through a constant cycle of replication. Comments, re-mixes, mash-ups, parodies, and derivatives — it seemingly never ends.  Moreover, as the content replicates, it spreads through networks exposing hundreds or thousands of unique connections to audiences, creating public, visible histories of interaction.

Conquering this rapid cycle, (a significant aspect of the content ecosystem), can prove difficult.

Lessons
As these forces — brand, media and audience — blur together, the roles and expectations of each also continue to change resulting in two two key takeaways:
  1. Brand’s have become their own media platform - Brand equity is no longer being created by media spend alone.  Quite the opposite. Instead ‘earned’ media (visibility in search and social spaces, word-of-mouth, PR) and ‘owned’ media (a brand’s website, official Facebook and Twitter pages, branded apps, etc.) are becoming fundamental components of the story.
  2. Always-on marketing is the new norm - Audiences are increasingly expecting constant, consistent engagement from brands. 24/7.  Online stores are never closed, so marketing programs and customer service can’t be either. When consumers want to know more about a product, need answers to questions or are ready to take action, the brands are expected to be ready and responsive.

Goodbuzz works with brands that recognize this fundamental shift in marketing. Central to our approach is a marketing framework that focuses on how marketing gets done in a networked world. As our clients embrace this approach, brands become a new kind of publisher, interacting with their audiences wherever they are, whenever they want, armed with unique content that serves as the relationship-building currency they need. This results in higher degrees of loyalty and brand preference — not to mention the ability to more precisely influence purchase behaviours.

The Promise of Connected Marketing
Brands have no choice but to rethink their current approaches to communication, customer engagement, and the metrics they use to determine success. The rules have changed. Connected Marketing (hereafter “Connectedness”) is an approach to executing marketing in a networked world. It is a framework for, and a measure of how intimate a brand is with its audiences. It’s a characteristic of a brand, a ‘state of being.’ After all, a brand needs to be a living organism in today’s marketing world, not an object, not a loudspeaker yelling at people. Connectedness is a way of thinking about how successful brands do marketing: focusing on audiences, not targets; engaging in dialogue, not shouting; and developing trust that is meaningful and lasting.

At Goodbuzz, we see connectedness and measure it by looking at a brand’s visibility to its audiences, its usefulness to those audiences, its usability (the ease of doing business with the brand), the brand’s ability to create desire, and finally, its level of engagement with its customers.  A new approach is required for brands that wish to leverage the strengths of earned and owned media, and adopt meaningful customer engagement as keys to marketing success.

A new approach is required for brands that wish to leverage the strengths of earned and owned media, and adopt meaningful customer engagement as keys to marketing success.  To reinvigorate a brand and strive for category leadership, brands need to become:
  1. Aware. Gone are the days of immense “consumer” studies conducted every several years — audiences’ needs and behaviors are now changing dramatically within much shorter timeframes. Brands need to stay on top of what’s truly important to audiences at any given time — sometimes even minute-to-minute. It is less about isolated market research data and more about understanding your customers, in the moment.
  2. Agile. Brands need to adapt quickly and precisely to shifting audience attitudes, interests and behaviors. What’s required? New processes for creating and distributing content on a frequent and reactive basis.
  3. Active. Brands need to play an active role in the digital ecosystem by reaching out to audiences for interactive, two-way conversations. Those that don’t will either cease to be relevant with online audiences or relinquish control of their brand image to the whims of the masses.

Bottom line:  Brands that mobilize around these themes, focusing on content and community, moving at the speed of the net, and integrating their programs not just across traditional and digital channels, but across the entire bought, earned and owned media landscapes, will define themselves as connected brands, and will ultimately win in the marketplace.

Content And Community
Audiences expect brands to support them throughout their decisioning journey, providing information and assistance in real-time.  Marketers that fail to deliver erode brand equity.  The implication for marketers who want to create connected experiences: beyond campaigns and campaign assets, brands need to create and distribute meaningful content at significant scale, and at increasing velocities.

But content alone does not create a connected brand. Content may be the currency, but active engagement is how a brand comes to life: content is shared, discussed, re-formed and amplified. This is a new breed of communications strategy, where connected brands participate in live, active dialogue with their audiences.  It’s the synergy between content creation, sharing and community engagement that yields success.

Connected Marketing Planning
Marketers are struggling with changes in the media landscape, and are determined to figure out how to take advantage of them.
  •      Do we just create a Facebook page and call it a day?
  •      Do I use Twitter for customer service?
  •      What content should I be producing?
  •      What makes good content, and what do with it?
  •      Can I control the conversation?
  •       How do I pull off the ‘live’ experi-ences my audiences expect?

Goodbuzz are helping marketers answer these and other questions by identifying and developing programs across four must-have areas:
  • Listening: ongoing analysis of customer sentiment, expectations and intent
  • Creation: content publishing, from high-quality branded content to real-time responsiveness
  • Engagement: continuous dialogue with audiences, backed by defined governance models
  • Measurement: benchmarking a brand’s performance within the networks and ways to optimize.


Listening 
Listening uses both comprehensive research studies coupled with real-time monitoring to ensure that a brand’s insights about their audiences are not only deep, but current as well. Those findings drive the creation and distribution of the appropriate forms of content. A varied mix of content ranging from high-production branded content to the harnessing of audience-generated content then flows across an ecosystem of publishing systems. As that content flows, audience managers guide it to the right venues, motivate audiences to engage and participate in continuing dialogue. As this engagement happens, metrics determine what content, and which actions are successful.

Ongoing optimization ensures that the appropriate mix and speed is used to keep the audience engaged. Finally, all of this information feeds back into the listening process to enhance overall insights and inform the content that will be created going forward.

A gap today exists between the tactics in the typical marketing toolkit and the behavior of audiences in today’s digital landscape. Marketers typically turn to focus groups, surveys and customer satisfaction analysis to understand an audience — but they stop there. As a result, brands are out of touch with audiences’ digital behaviors — and most of their advertising and marketing efforts prove it. While all of these techniques are still useful, they don’t tell the full story. There are numerous techniques to understand how audiences behave, including conversation monitoring and analysis, search data, persona development, web analytics, campaign performance data, social media activity data and more. These newer techniques improve a brand’s understanding of who their audiences are, where they are in the network, and how they behave— a substantial enhancement of insight over mean income and gender.

Additionally, much of this information can be collected now, in real-time — and should be, because it’s continually changing and providing insights. This means marketers need to shift their thinking — audience insights don’t happen in quarterly or annual research sessions, they demand listening right now. Knowing and understanding this information in real time is essential for a connected brand to develop and maintain an effective strategy. Audience needs and desires shift in the moment, and marketers and audience managers need to adapt the content accordingly to remain relevant.

Goodbuzz Inc. helps marketers form a detailed and accurate picture of a brand’s audiences— and ensures that the insights are always up-to-date.  Our listening methods are targeted specifically at digital audiences. We leverage numerous data sources to give us a baseline understanding of audiences’ media consumption, technology adoption and online behavior. We leverage best-in-class monitoring tools to listen to online conversations and understand what specific communities are saying about our clients and their competitors. And with our proprietary linguistic profiling methods, we can also mine search data to identify what people need and want. We find exact language so our clients can connect with audiences using the audience’s own vernacular.  This combination of research efforts provides brands with the needed intelligence to develop powerful and effective programs. Programs that are authentic, intimate, and connected to desired audiences.

Content Creation
There is a tendency to think that an effective tactic to marketing in an always-on environment, rife with chatter, spam (and other noise that may keep a brand from achieving its rightful share of voice), is to simply push out massive amounts of content. After all, consumers are likely to produce more content about your brand, more quickly than your marketing department ever could. There is a bit of a content war going on online, and brands are on the front lines, like it or not.

We believe success lies in distributing the right content to the right audience in the right places at the right time. And that’s a tricky thing to figure out. What topics will engage audiences the most? Where will content have the most impact — in a blog, on Twitter, or on a branded website? How often does new content need to be distributed and how quickly do audience comments need to be addressed? Even if marketers find the answers to these questions, they still need to develop the content. Articles, stories, video, photos, blog posts, and responses to audience-generated content — new ideas for specific pieces of content — all need to be produced. For many marketers, the resources and expertise required for a real-time marketing program can be daunting or just simply undoable.

Connected Brands Create & Inspire Content From Many Participants
While content, sharing and community are at the foundation of a successful connected brand, not all content is created equal. The digital network through which content is published, consumed and re-purposed is increasingly multifaceted. The complexity of creating and distributing content aligned with audiences’ needs and desires requires a robust approach.

Therefore, a content platform for a connected brand is:
  • RELEVANT to the audiences’ needs first. Many marketers put their own needs ahead of their customers. Pressure to meet financial objectives, achieve disjointed marketing metrics, or simply believing that buyers of the brand are still “consumers,” drive marketers to miss the mark. Connected brands know that business objectives begin with an audience need, and that’s no different with content creation. Content must be useful to the audience, otherwise there’s no reason for them to engage.
  • COHESIVE across touch points. Content creation must be diverse to meet audience needs, but it also must tell a larger brand story. Content generated by a brand should align thematically across all touch points, ensuring that the subject matter aligns with audience expectations and allows them to accept, or give permission, for the brand to engage on the topic.
  • DESIGNED to foster engagement. While not all content created will generate massive amounts of interaction, brands should strive to achieve that interactivity as often as possible. One significant tactic to creating engaging content is listening. The brand audience provides ample information about what is interesting, exciting, and useful for them; all the brand has to do is observe their behaviors and listen to the words they say. Built into a robust content plan, this feedback can be invaluable to keeping people engaged.
  • SOURCED from the appropriate creator. Most marketers cringe at the thought of generating the volumes of content required to maintain an engaged audience. But marketers need to remember that they don’t have to generate the content alone. Brand content can come from within the company, from agency and media partners, aggregated from third parties, and developed in conjunction with the brands audiences.
  • ADAPTIVE to modification by all parties. Brands no longer have full control of the content created about them. Content can be owned by the brand, influenced by the brand, or merely observed.  Any content, regardless of source, ‘belongs’ to all other participants in the dialogue. This means it can be repurposed or recreated in newer and more meaningful ways. The connected brand’s role is to design for, allow, encourage and facilitate these modifications. Once the content created by a brand becomes the ownership of the audience, it’s more valuable and it brings that audience closer to the brand because it’s a co-creation.



These content sources can be classified into three primary categories:
  1. Owned—fully in the control by the brand,
  2. Influenced—requested by the brand but not necessarily controlled, and, 
  3. Observed—outside the control of the brand, but still usable (and critical) to a connected brand’s content strategy.


Connected Brands |  TIMING
Content that is created for the appropriate situation and activated by audience management must be distributed at the necessary speed to remain relevant since content exists in many forms and it takes varying amounts of time to prepare. Sometimes weeks or months of research are required to answer a complex question, other times it’s a rapid and instantaneous dialogue — and any type of content can inspire or instigate the creation of a different type. It’s this robust cycle of content creation that demonstrates the need for content that can be shared in a manner that:


  • Allows for the proper preparation time. Some content may require extensive research or preparation, from investigative editorial article to a long-form video, these types of content don’t happen overnight. Additionally, some content is instantaneous, from comments on a blog to @replies on Twitter, a brand need to be prepared and have a plan to respond. Content plans and the appropriate staff are critical components to bringing these disparate forms of content to life in the same ecosystem.
  • Transforms when appropriate, spanning long-term to real-time.  Any piece of content can instigate a flurry of responses by an audience, derivative content that can spread like wildfire. Additionally, some content should be designed for change, allowing the audience to transform it into something completely different. Perhaps a long- form, in-depth article motivates a days-long discussion about the implications. Or perhaps the advice of an expert inspires the audience to test the advice and capture it on video. Any piece of content must be designed to consider multiple forms of derivative output.
  • Achieves the necessary velocity of distribution. Each form of content within the Content Continuum has a different pace for development. As content moves from Owned to Influenced to Observed, the pace becomes evermore explosive. As a result, different content development strategies are employed given the preparation times involved. In fact, there are different types of people employed along the way, but they all must work in a tight knit, integrated fashion to ensure a fluid process.
  • Presents an appropriate amount of information to the audience. Distributing these types of content in the right channels and at the right pace will play a significant role in the level of audience engagement. Too fast, and they get overwhelmed. Too slow... boring. A highly-astute staff must monitor the pace of content generation and distribution (both internally and externally) to ensure the proper flow.
  • Promotes dialogue, not just consumption. Content must be shared in a way that facilitates conversation. Long gone are the days of “consumption,” media control, and push-only messages. Connected brands contribute content and perspective to these conversations, but the dialogue belongs to the audience as well. This means that content must be shared in a venue that is optimized for the desired method of response — perhaps YouTube for video responses, or Facebook for polling.



CONTENT MANAGEMENT
Content alone does not produce a successful connected marketing program. Nor does a stand-alone Facebook page or Twitter account. No matter how strong their initial foray into branded content or social media, many marketers lack a plan for sustaining their efforts on a long-term basis.

Today’s real-time, networked environment requires that brands produce rich, engaging content on an ongoing basis and continually cultivate relationships with audiences. Brands that can’t keep up with these constant demands will see their online presence start to languish, along with their opportunity to reach audiences and convert them to brand advocates.

There’s a natural synergy between a strong content strategy and an active audience management plan. Through this approach, we compound the value of our clients’ real-time marketing efforts. We develop and execute a Communications Architecture, that requires specific strategy and planning skills to leverage the expertise of individuals who understand the reciprocal relationship between content, community and crafting ongoing brand narratives across multiple touch points through content and conversation.  Whether it’s reaching out to audiences in existing communities or fostering dialog and relationships in communities that we build, teams work on behalf of the brand to engender deeper engagement with audiences. Depending on the client and the content strategy, our daily efforts might include posting updates to a brand’s Facebook page, responding to questions or comments on Twitter, or directly emailing influential bloggers within a community.

But beyond simply publishing content, our community managers play an active role in iterative content development. We turn audiences’ comments into conversations by creating polls, open questions, and other dialogue-based content intended to amplify conversation and interaction within a community. We leverage the Content Continuum to create assets, publish them to appropriate media formats, and propagate them across the brand’s digital ecosystem.  All delivered within the wrapper of a defined governance model, and brought to life through an engagement strategy.

By continually keeping the community engaged, we encourage audiences to create an enormous amount of additional branded content in the form of tweets, comments, status updates, and likes. This audience-generated content magnifies both the volume and speed of branded messages throughout the network — and it does so in an extremely cost-effective manner. Because we’re always in the loop on what audiences are talking about, we’re able to constantly feed new ideas into the content strategy and master content plan.

Audience Engagement
While content is the critical ingredient, and sharing the essential frequency, community is the process that activates that content and defines the pace. The ‘network effect’ of a published piece of content can result in hundreds or thousands of unique connections to audiences, creating public, visible histories of interaction. For brands to be relevant today, they need to entrench themselves where people already spend time, across the fluid ecosystem of digital channels. Managing this ecosystem is a full-time job. It must leverage the expertise and skills of talented individuals who understand the engagement landscape, the power of smart content, and who think and function as strategists, communications designers, and user experience experts. Architecting and managing activities embedded within this ecosystem requires an audience manager who can:


  • BE THE STEWARD AND VOICE. A connected brand exists and participates in many places. Some are owned, like the website or micro-sites. Some are semi-owned, such as social spaces like Facebook, Twitter and YouTube. Others are not owned, like forums and blogs. Regardless of the venue, the brand needs audience manager(s) who can speak on behalf of the brand in a unified and consistent voice. Many of these individuals become quasi- celebrities as stewards of the brand, so marketers need to find a person (or people) with not only the right skill, but also with the personality that aligns with the brand and is inviting to audiences.
  • ENCOURAGE AN ACTIVE DIALOGUE. The audience manager has to be both a good listener and a social butterfly. Much like a conductor, they must orchestrate many different topics and ensure that the audience stays engaged. Their tactics span from issuing requests for content, to soliciting stories to sharing new content. It’s a never-ending process of monitoring, encouraging, activating and conversing.
  • ENHANCE THE VISIBILITY OF CONTENT. But audience managers don’t just engage in conversations with the audience, they also promote and distribute content. Some of that content is contributed by the brand (Owned or Influenced content) and made available through various digital channels. Additionally, sometimes that content is created by the audience themselves (called User Generated Content or “UGC”). Either way, the audience manager acts as the hub making sure anyone who might be interested knows the content exists. Lastly, audience managers access search and social data, to ensure the visibility of content in search engines and relevant social spaces.
  • DRIVE BUZZ AND WORD-OF-MOUTH. Getting the word out is not only the job of the audience manager. The audience itself plays a crucial role in exposing the brand and the conversation to new people. The audience manager must ensure that the community has all of the tools, motivation, and interest they need to spread the work. Audience managers use techniques like contests, promotions, and audience generated content initiatives.
  • CREATE AND INSPIRE DERIVATIVE CONTENT.  Just like spreading the word is a role for the audience, so is the creation of content. An effective audience manager actively encourages the audience to create new content or enhance and modify content contributed by the brand. It’s a process of co-creating that furthers engagement and brings people closer to the brand.
  • BUILD RELATIONSHIPS WITH INFLUENCERS. Some audience members are of significant importance because they are key influencers — they also inspire the audience. The audience manager constantly seeks out and identifies these influencers and engages in relationships with them to help promote both the brand, and the influencer themselves. This mutual benefit helps motivate these influencers to amplify brand messages.


MEASURE and Optimize
The point of connected marketing is to help brands maximize their marketing spend by creating deeper engagement with audiences. While many marketers have jumped on the social media bandwagon to create a branded presence on Facebook or Twitter, they’re just not seeing results. Or worse: they don’t even know how to measure their performance. In order to take full advantage of their investments in real-time marketing, marketers need to understand what content is getting the most traction in the community — and how it’s performing across paid, owned and earned media.

Start by creating an initial baseline for audiences’ conversations around a brand. We benchmark KPIs such as blog mentions, social signals and referral traffic and then monitor these metrics over time to understand what’s working — and what’s not. We measure conversions from Facebook fan pages and referral traffic from Twitter followers, which allow us to determine the actual value of a brand’s participation on these sites. Our real strength lies in our proprietary platform that tracks audience behaviour across SEO, SEM, display, brand websites, and social spaces in order to create a robust understanding of who’s engaging with what content and where. In addition, our custom Web-based marketing intelligence dashboards enable our clients and our internal teams to view all content performance data at a glance.

Once we understand how certain pieces of content are performing in different contexts, we’re able to adjust the content strategy and master content plan accordingly — creating additional content around a hot topic or scaling down our efforts on a particular site.  Often, we’re able to adjust our programs that same day. Our ability to continually fine-tune our approach ensures that brands are always getting the most of their marketing budget.


Participatory Marketing Partners
Creating and managing a connected marketing program takes preparation and strategic vision. It also requires an ability to see and react to changes in audience behaviour and conversations as they happen. This is clearly one of the biggest challenges that marketers will face in the years ahead — and many are unprepared.

Marketing programs at most companies simply aren’t designed to keep up with audience expectations for real-time content and interactions. Marketers spend months designing and developing micro-sites — and years on their primary .com properties.  They treat social media efforts as on-again, off-again campaigns with stringent review processes that cripple new content development. And while analytics platforms can provide immediate visibility into data trends, most marketers don’t look at their website or search analytics data until they’re months out of date. In short, many brands are stuck in old-fashioned marketing practices that aren’t conducive to — and actually hinder — active participation with audiences in a connected manner. To succeed with connected marketing, savvy brands need to align with partners who can inspire people around the world through rich content – and distribute that content to audiences precisely when and where they need it. 

Goodbuzz is a full-service digital marketing agency. Our digital heritage in search engine marketing, content strategy, and optimization affords us unmatched skills in understanding what online audiences need and defining how to distribute content so that it’s highly visible to the right audiences. Our social media strategists and community managers keep an active pulse on audience attitudes and conversations.  We’ve a relentless focus on measurement, so our clients always know how effective their marketing efforts are.

How can we help you?  Goodbuzz help marketers create communities around rich, engaging content. We’re developing powerful connected marketing programs for some of the country’s top brands — and our combined expertise in social media, search technology, content creation, distribution and community cultivation means that we can help marketers sustain these programs for years to come.

You might want to talk to us if you:
  •       Struggle to keep up with the rapid changes in your audience’s needs, wants, interests and conversations online.
  •       Want to figure out the right level of active participation for your brand.
  •       Aren’t sure what kind of content will best engage consumers. 
  •       Aren’t ready to build an internal editorial department,
  •       Lack the resources to continually engage with your consumers.
  •       Seek skills and approaches to measure the ROI of your social media efforts.
Looking for additional information on Social Media Bland Planning?  Check out our Guide.